An early southern place of prayer
The custodial guide associates Umar with a simple prayer building on the southern side, preceding the monumental Umayyad mosque. This is an attributed early historical account, not a date for the present hall.[1]
Selected architectural and cultural milestones. Ranges and approximate dates retain the limits of the source.
Dates use the Common Era (CE). A reign, construction campaign and restoration are different kinds of time spans. This is a selected building history, not a complete political chronology.
The custodial guide associates Umar with a simple prayer building on the southern side, preceding the monumental Umayyad mosque. This is an attributed early historical account, not a date for the present hall.[1]
The monument commissioned by Abd al-Malik is completed. Later decoration and repairs form separate layers of its history.[2]
The custodial guide gives 706–714; Archnet describes a major phase under al-Walid after an earlier beginning under Abd al-Malik. The sources differ in their dating of the campaign.[1][3]
Archnet associates Abbasid reconstruction with al-Mahdi’s reign. The range identifies the reign associated with the work, not its exact duration.[3]
A further major rebuilding phase of the southern mosque is recorded in the Fatimid period. A precise completion year is not asserted here.[3]
The two major buildings acquire different uses: the southern mosque as a palace and later Templar residence, the Dome of the Rock as a church.[4][3][2]
The celebrated pulpit is made in Aleppo. Its manufacture precedes its later transfer to Al-Quds.[5]
Following the capture of Al-Quds, the sanctuary’s major buildings return to Muslim use. Nur al-Din’s minbar is brought from Aleppo.[6][2][5]
A dedication or renovation is recorded. The original construction date remains uncertain.[7][8]
The Ministry of Tourism associates the market’s rebuilding with Emir Tankiz. This date is attached to the market complex, not automatically to every adjacent gateway element.[9]
The museum record dates the rebuilding through an inscription, endowment document and historical sources.[10]
Qaytbay renews the fountain associated with an earlier foundation by Inal, beside the educational complex.[11]
The Dome of the Rock’s exterior tile revetment is associated with Süleyman’s reign. This range is the reign, not a claim that work continued throughout all of it.[12]
A ceramic tile from restoration at the Dome of the Rock records Mustafa Ali Effendi. It later becomes part of the Islamic Museum collection.[13]
The museum record identifies a later Ottoman renovation of the Mamluk water building.[11]
The museum profile records the institution’s foundation, before its move to the southwestern sanctuary.[14]
The upper storey suffers extensive damage, as described in the museum’s architectural record.[10]
The transfer date records the movement of the object, not its manufacture.[15]
The museum profile dates its relocation to the setting associated with its collection today.[14]
The tile is transferred from the Dome of the Rock during restoration, preserving its building association in a collection record.[13]
The original wooden pulpit is largely destroyed. Surviving fragments subsequently enter the Islamic Museum.[5]
The Aga Khan project page lists 1983 as completion of the documented restoration project.[16]
Al-Aqsa’s restoration is recognized in the 1984–1986 Aga Khan Award for Architecture cycle. Recognition and completion are separate events.[16]
The custodial guide records work by the Islamic Waqf and TIKA, including renewed tile decoration.[17]
References are attached to the passages they support. Dates below record source consultation.
p. 8
PASSIA · Jerusalem Awqaf · Hashemite Fund · Consulted 2026-09-14
The Metropolitan Museum of Art · Consulted 2026-09-14
Archnet · Aga Khan Documentation Center, MIT · Consulted 2026-09-14
p. 14
PASSIA · Jerusalem Awqaf · Hashemite Fund · Consulted 2026-09-14
Museum With No Frontiers · Discover Islamic Art · Consulted 2026-09-14
The Metropolitan Museum of Art · Consulted 2026-09-14
Madain Project · Consulted 2026-09-14
p. 25
PASSIA · Jerusalem Awqaf · Hashemite Fund · Consulted 2026-09-14
Palestinian Ministry of Tourism and Antiquities · Consulted 2026-09-14
Museum With No Frontiers · Discover Islamic Art · Consulted 2026-09-14
Museum With No Frontiers · Consulted 2026-10-13
The Metropolitan Museum of Art · Consulted 2026-09-14
Museum With No Frontiers · Discover Islamic Art · Consulted 2026-09-14
Museum With No Frontiers · museum profile · Consulted 2026-09-14
Museum With No Frontiers · Discover Islamic Art · Consulted 2026-09-14
Aga Khan Trust for Culture · Consulted 2026-09-14
p. 24
PASSIA · Jerusalem Awqaf · Hashemite Fund · Consulted 2026-09-14